String Quartet No. 10 in E-flat Major, Op. 51 - Violin 2

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Dvořák: String Quartet in E-flat Major, Op. 51

To use this form you need to have Javascript and cookies enabled! We need to make sure that you are really an human, please enter the code below. Christian Tetzlaff artist More information. Giuseppe Verdi composer More information. Florian Donderer featured More information. Hartmut Rohde featured More information. Maximilian Hornung featured More information.

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Yura Lee featured More information. Their playing is both considered and affectionate, but rises to remarkable heights in the performance In stock Usually despatched within 1 working day. Dvorak: String Quartets Vol. Wonderfully lyrical and inventive music, much of it still underrated - though not by the Vogler Quartet who bring affection and insight to these readings.

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Quartet Wihan. If these readings lack the last iota of magic, they are certainly highly recommendable. View full details Listen to samples.

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Dvorak: String Quartet No. New Zealand String Quartet. View full details.

These are written in a form that became established as standard both for Haydn and for other composers. Clearly composed as sets, these quartets feature a four-movement layout with more broadly conceived, moderately paced first movements and, in increasing measure, a democratic and conversational interplay of parts, close-knit thematic development, and skilful though often self-effacing use of counterpoint.

String Quartet No. 10 in E Flat Major, Op. 51: III. Romanza: Andante con moto

The convincing realizations of the progressive aims of the Op. Certainly they offered to their own time state-of-the art models to follow for the best part of a decade; the teenage Mozart, in his early quartets, was among the composers moved to imitate many of their characteristics, right down to the vital fugues with which Haydn sought to bring greater architectural weight to the finales of nos. After Op.

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This may be partly because the palette of sound is more restricted than with orchestral music, forcing the music to stand more on its own rather than relying on tonal color; or from the inherently contrapuntal tendency in music written for four equal instruments. Beethoven in particular is credited with developing the genre in an experimental and dynamic fashion, especially in his later series of quartets written in the s up until his death.

Of the late quartets, Beethoven cited his own favorite as Op.

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After the Second World War, some composers, such as Pierre Boulez and Olivier Messiaen questioned the relevance of the string quartet and avoided writing them. However, from the s onwards, many composers have shown a renewed interest in the genre. A composition for four players of stringed instruments may be in any form. Quartets written in the classical period usually have four movements with a large-scale structure similar to that of a symphony:.

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Many other chamber groups can be seen as modifications of the string quartet: the string quintet is a string quartet with an extra [ clarification needed ] viola, cello or double bass. Boccherini wrote a few quintets for string quartet with a double bass included as the fifth instrument. The string trio has one violin, a viola, and a cello; the piano quintet is a string quartet with an added piano; the piano quartet is a string quartet with one of the violins replaced by a piano; and the clarinet quintet is a string quartet with an added clarinet, such as those by Mozart and Brahms.

Brahms also wrote a pair of String sextets. Further expansions have also been produced such as the String octet by Mendelssohn. Whereas individual string players often group together to make ad hoc string quartets, others continue to play together for many years in ensembles which may be named after the first violinist e. Established quartets may undergo changes in membership whilst retaining their original name.